New York Edge News

History of Fake Eyelashes: How CocoLash Is Reinventing Glamour from Ancient Egypt to Today

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From Cleopatra’s Kohl to CocoLash: The Ultimate Fake Eyelash Story and Review

By Annette Whitehead for New York Edge News
Fake eyelashes have long been associated with glamour and dramatic expression, and this legacy is the backbone of today’s lash industry. According to the American Lash Association, ancient Egyptians believed that darkening and thickening eyelashes would ward off evil spirits and protect eyes from the sun’s harsh rays.

 In other early societies, long lashes were seen as a sign of good health, vitality and, in some cultures, chastity and morality. The same association explains that nineteenth‑century women sometimes had strands of hair delicately sewn onto their eyelids—an uncomfortable process that may have inspired early mascara and false lash inventions. Eventually, strips or clusters of lashes were applied directly to the eyelid for a less painful enhancement, helping fake eyelashes evolve into the beauty staples we know today.

Innovation accelerated in the twentieth century. A history of eyelash extensions on Stacy Lashs website notes that Canadian inventor Anna Taylor patented a strip of artificial lashes in 1911. The product—made from human hair woven into fabric—took time to catch on. Five years later, the Hollywood film industry boosted interest when director D.W. Griffith insisted that actress Seena Owen wear lashes “long enough to brush her cheeks” in the 1916 film Intolerance. As films flourished, materials ranged from human hair to synthetic fibers, and comfort and safety remained concerns. 

False eyelashes stayed popular through the 1920s and 1930s, and by the 1950s and 1960s they were available at drugstores and beauty counters, opening the market to a wider range of cultures. The trend expanded in the 1970s to celebrities, office workers and even churchgoers. During the 1980s and 1990s, innovations like lightweight plastics, silk and synthetic mink made false lashes more comfortable. Today, “falsies” come in various shapes, lengths, colours and materials—magnetic lashes with tiny magnets, individual lash extensions and traditional strip lashes applied with glue. Throughout these changes, fake eyelashes have endured and adapted with the times.

In the present day, I discovered CocoLash, a Black‑owned brand that aligns with modern beauty standards by offering vegan, cruelty‑free and hypoallergenic lashes. According to the company’s official site, CocoLash celebrates the extraordinary in everyone and aims to elevate beauty routines with high‑quality lashes.

 The brand offers the Poppy Kit, which simplifies lash application with tweezers, scissors, adhesive bond, sealant remover and three sizes of soft lashes. CocoLash lashes are lightweight and easy to apply: you remove clusters of 10 mm, 12 mm, 14 mm or 16 mm—creating short, medium or long lengths—trim them and apply them along your lash line. With proper application, the lashes last up to five to seven days. The line also includes a Volume collection with kits named Poppy, Dahlia, Marigold, Orchid and Rose for a standout look, and a Classic collection for everyday wear with Peony, Violet, Jasmine, Iris and Daisy. Each product is designed with quality materials and crafted for comfort and durability.

As the saying goes, “the eyes are the window to the soul.” From ancient beliefs about protection and purity to the glitz of Hollywood and today’s diverse options, false eyelashes continue to reflect evolving ideals of beauty. CocoLash offers a modern twist on this long history by combining premium materials with styles that cater to individual preferences, giving wearers a way to express themselves through their lashes. With keywords like history of fake eyelashes, CocoLash review, vegan cruelty‑free lashes and lash extensions woven throughout this article, it’s optimised for readers and search engines alike—perfect for going viral in a beauty‑obsessed world.

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Who Killed Progress? Charles Frey on AI, Power, and the Next Collapse

By Kianga J Moore | 10/10/2025 | Comments Off on Who Killed Progress? Charles Frey on AI, Power, and the Next Collapse
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In this landmark work, Oxford economist Carl Benedikt Frey traces how progress unravels when power consolidates faster than ideas can

Randolph x The Brooklyn Circus Create Collectible Wearable Fashion Honoring the Golden 13

By New York Edge News | 09/26/2025 | Comments Off on Randolph x The Brooklyn Circus Create Collectible Wearable Fashion Honoring the Golden 13
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Randolph and Brooklyn Circus launch a unique fashion collection celebrating the Golden 13, transforming history into wearable art. By Kianga

Hollywood Bowl Hosts ‘Lion King’ Concert, Teases Future with ‘Young Mufasa’

By New York Edge News | 09/26/2025 | Comments Off on Hollywood Bowl Hosts ‘Lion King’ Concert, Teases Future with ‘Young Mufasa’
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  LOS ANGELES (AP) — The Hollywood Bowl has staged its share of unforgettable performances, yet this Friday’s “The Lion

Riyadh Season Debuts New Zones Driving Progress and Scaling Global Appeal for Cultural Experiences

By New York Edge News | 09/23/2025 | Comments Off on Riyadh Season Debuts New Zones Driving Progress and Scaling Global Appeal for Cultural Experiences
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RIYADH, Saudi Arabia — Riyadh Season has unveiled three captivating new zones — Boulevard Runway, Souq Al-Awaleen, and Dunes of

Conflict and Coltan: The Hidden Costs of Technology

By New York Edge News | 09/23/2025 | Comments Off on Conflict and Coltan: The Hidden Costs of Technology
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Eastern Congo, home to one of the world’s richest deposits of coltan, enduring conflict in the name of consumer profits

Thousands Rally in New York to Confront Iran’s President at UNGA

By New York Edge News | 09/23/2025 | Comments Off on Thousands Rally in New York to Confront Iran’s President at UNGA
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“Citizenship must mean something. If my own government won’t act, who will?” — Sara Saleem The narrative matters Thousands of

Heidelbergology at 40: Tyree Guyton’s Living Art Economy in Detroit

By Kianga J Moore | 09/22/2025 | Comments Off on Heidelbergology at 40: Tyree Guyton’s Living Art Economy in Detroit
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Nearly forty years after he first painted a polka-dotted house on Heidelberg Street, Tyree Guyton’s Heidelberg Project remains one of

How Dandyism Defines Liberation, Identity, and Creativity Across Generations

By New York Edge News | 09/18/2025 | Comments Off on How Dandyism Defines Liberation, Identity, and Creativity Across Generations
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by: Alesha Lawrence Dandyism remains a dynamic form of self-expression and cultural pride for people of African descent, evolving from

Supreme Court Justice Ketanji Brown Jackson to Make Broadway Debut in & Juliet

By New York Edge News | 09/18/2025 | Comments Off on Supreme Court Justice Ketanji Brown Jackson to Make Broadway Debut in & Juliet
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photo credit Evan Zimmerman for MurphyMade Justice Ketanji Brown Jackson will break new ground this Saturday, December 14, at 8

English by Sanaz Toossi—A Poignant Meditation on Language, Identity, and Belonging

By New York Edge News | 09/17/2025 | Comments Off on English by Sanaz Toossi—A Poignant Meditation on Language, Identity, and Belonging
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Sanaz Toossi’s “English” Delivers an Intimate Exploration of Language and Identity Revati Iyengar for New York Edge News Photo Credit:

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